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“I thought it would be a lot of fun to play a classic über-Nazi, someone who thought Hitler was a pussy! [Laughs] It was fun to play; I enjoyed the outrageousness of the German accent that I employed and I enjoyed the extraordinary mask and costume, even though it was unbelievably hot inside it. I enjoy mask work; I enjoy trying to animate masks and reveal certain things that the mask itself might not reveal. V for Vendetta was another example of that, but there was less animation within that mask versus the Red Skull.
With Marvel, it’s pretty basic stuff: accept the deal and enjoy the ride. It’s not a major stretch for an actor, but on the other hand the difficulty with the Marvel universe is maintaining a link to a human dimension within such an extraordinary, technological CGI universe. In terms of me going back and doing another one, I don’t know. I’m not sure what they’re up to with the Red Skull.”
Batman v Superman: Dawn of Justice cinematographer Larry Fong was asked a question about shooting with IMAX cameras this evening, and he answered with some photos and examples from an IMAX camera test with Amy Adams as Lois Lane.
The last Spider-Man: Homecoming poster that was released received a lot of criticism online for looking messy and amateurish. Today’s new IMAX poster plays off of that theme in an intentional way!
Ryan Reynolds jumps into action while flying into a kid’s birthday party for a scene in the upcoming movie Deadpool 2 on Monday (June 26) in Vancouver, Canada.
Just a few weeks after DC Films producer Charles Roven said he had “every expectation” that Ben Affleck would star in The Batman, director Matt Reeves confirmed that Affleck is still in the starring role. Check it out in his own words in the Getty interview below.
ABC is announcing Friday, Sep. 29 as the television premiere date for its new series, Marvel’s Inhumans. That follows an exclusive two-week run on IMAX, where they’re gambling that their first two episodes can equal — or even exceed — the visual flair of a $200 million Marvel film (or at least an Ant-Man-sized $140 […]
Wonder Woman keeps crushing it at the box office, and last night it set another big milestone! With over $609.8 million worldwide, Patty Jenkins now holds record for the highest-grossing live-action film to be directed by a woman. The previous record was held by Phyllida Lloyd, who directed the 2008 musical Mamma Mia!.